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Sufjan Stevens' Carrie & Lowell

Upon the release of Sufjan Stevens’ seventh studio album, Carrie & Lowell, two divergent groups found themselves as strange bedfellows: the LGBTQIA+ community and American evangelical Christians. Both were united in praise for Stevens’ beautifully melancholic music. Critically acclaimed as one of the best albums of 2015, the elegiac and intimate record about the death of Sufjan’s estranged mother reflects the musician’s own paradoxical posture—Carrie & Lowell is both sacred and profane, Christian and queer, traditional and progressive, despairing and hopeful. Theologian and cultural critic Joel Mayward considers Carrie & Lowell as a mystical metamodern memento mori, Sufjan’s symphonic (as opposed to systematic) approach to the questions of mortality, sexuality, and God. Fusing critical ob

• KategoriMusikk, film og bøker